Documentary film as historical narrative
DOI:
https://doi.org/10.1515/aa‐2015‐0009Abstract
The submitted study describes the documentary film as a historical narrative that carries within it problems documented by historians such as Paul Veyne and Hayden White. It argues on behalf of the thesis that a documentary film in itself does not classify historical clues according to historical truth but according to a selected purpose (e.g. despite aesthetic conventions or in the case of a narrative film - according to the story). The study refutes the argument of Noël Carroll, who deals with the popularizing documentary film - specifically, connecting scientific "truth" with the tropological character of a documentary film narrative can create at best an approximate picture of a historical event.
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Copyright (c) 2015 Marek Urban
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.