Unbecoming Malloban: Trauma, Diaspora, and the Dis/abled Subject

Authors

DOI:

https://doi.org/10.17846/aa-2025-17-2-132-154

Abstract

This paper examines Jibanananda Das’s Malloban (1948) through the intersecting lenses of diaspora, memory, trauma, and disability studies to explore the protagonist’s fractured psyche as an allegory for the displaced refugee’s existential crisis in an urban capitalist society. Tracing the ontology of fragmentation the paper situates Malloban in the precept of trauma fiction, thereby interrogating how diasporic trauma, fragmented memory, and cognitive detachment intertwine to shape Malloban’s identity. Building on studies in disability and the insights of trauma theory/ies, the paper studies Malloban’s “madness” as symptomatic of his gradual cognitive catastrophe. Malloban’s cognitive disability, however, is read not as impairment but as a form of adaptive detachment necessitated by the disorienting chaos of post-Partition dislocation. It further explores Malloban’s detachment as a reflection of how the traumatized, diasporic, disabled ‘self’ transforms into the ‘other’ while the subject undergoes a continual of ‘unbecoming’ that entails a threatening detour toward an ontological disconnect. Through rigorous close reading and critical theoretical engagement, this paper positions Malloban as both a lament and celebration for the fractured and dislocated. The research maps the existential burdens of urban capitalist modernity onto the broader experiences of systemic disenfranchisement and exclusion, and expands critical dialogues on diaspora, displacement, and deterritorialized selfhood in South Asian trauma literature.

Author Biographies

Sampriti Bhattacharyya, PhD Research Scholar, IIEST Shibpur, India

Sampriti Bhattacharyya is a Ph.D. Research Fellow (UGC-JRF) in the Department of Humanities and Social Sciences at IIEST, Shibpur. Her research focuses on the writings of Jibanananda Das, Translation Studies, Trauma and Memory Studies, and Modernist literary aesthetics. In addition to her academic pursuits, she is an acclaimed poet, with two published collections: Pahaare Ashanti Holey (When the Mountains are Disturbed, 2021) and Pickles and Prayers (2023). A multidisciplinary artist, she is also a trained vocalist and a painter, with a distinctive inclination toward semi-abstract expressionism. She is an active member of the International Comparative Literature Association, the Comparative Literature Association of India, and the Indian Sociological Society.

Dr. Mallika Ghosh Sarbadhikary, Indian Institute of Engineering Science and Technology (IIEST), Shibpur, West bengal, India

Dr. Mallika Ghosh Sarbadhikary has headed the Department of Humanities and Social Sciences where she is an Associate Professor and has been variously involved within and outside her Institute in committees and policy-making forums for gender equity and English language teaching programmes. Her areas of specialization include Renaissance Drama, Gender Studies, Digital Humanities and Translation and Intersectionality Studies. She has numerous publications in these areas and has been invited as a visiting faculty and collaborator to several Indian and foreign universities including Cambridge, Purdue, Calabria and Graz.

Downloads

Published

2025-12-24

Issue

Section

Articles